Brett died accidentally of a drug overdose in June 1992 with an Estate worth $13 million. The value of art history that influenced Whiteley’s intentions within the work was the reference and appropriation of Dobell’s portrait. Brett Whiteley immersed himself in both urban and rural landscapes from his early years, and it was a constant theme throughout his artistic practice, whether in intimate studies or large poetic paintings. Looking at his body of work what motifs are synonymous with Whiteley's practice?An artwork can inform the audience about society and even specific places and time. The Will was read to Arkie and executed. The Will appointed her mother Wendy and friend Sarah Ducker as executors.His daughter’s then boyfriend Christopher Kuhn gave evidence that in April 1991 Brett could not remember where he put the January document so replicated that document in front of Kuhn who then witnessed it. When Arkie asked her father if they should consult lawyers he saidIn 1999, Brett’s mother Beryl Whiteley made funds available to establish a travelling art scholarship in his memory.With the executor’s year approaching and the estate still not settled it was reported that Jim Elliott threatened legal action to have the two executors removed on the grounds that they have failed to act. Whiteley’s works combine elements of abstraction and realism in a lyrical and expressive manner. Ironically the informal Will mirrored the provisions of a Will that Brett instructed solicitors to draft and was executed in July 1988.The Court had to decide if the informal Wills were to be accepted by probate. Probate was granted at the end of November 2002, the estate was valued at $14 million.Following Brett’s death and funeral in June of 1992 Kuhn and Arkie could not find the Will under the fourth drawer in the kitchen but there were remnants of the tape. Choose and then discuss an artwork that underlines his distinctive stylistic approaches to representation.Read the latest visit information, including hoursSubject matter can be defined and even amplified in many different ways. In that will, the bulk of the estate was left to Arkie; Brett’s mother and sister each receive $500,000; the same amount goes to establishing a scholarship for young artists; his old school received a painting, as did Janice.In December 2001 Arkie Whiteley died of cancer following a short illness aged 37. In a later discussion with his sister Brett was disgusted that he had been charged $7000 for this Will, particularly when his sister had made her Will on a form she purchased from a Read this before you die to find out about what happens after you dieThe artworks in her Palm Beach house were left to friends including her previous husband Christopher Kuhn to “be distributed by my executors in their absolute discretion”, raising some concerns among the beneficiaries the type and value of the artwork to be distributed will be decided by to the two executors only. What feelings can exude from larger spaces and expanses that are only punctuated by smaller, selective areas of subject matter?Describe what has been achieved by these techniques.Exaggeration, elongation, metamorphosis, motion and distorted perspectives are strategies used throughout Whiteley’s practice. However, the Court believed there was overwhelming evidence that from January 1991, Brett’s intentions had remained consistently in favour of his daughter. Due to his anger toward lawyers following a protracted and bitter divorce settlement he drafted a series of informal Wills that led to expensive litigation in order to clarify and settle his testamentary intentions. Brett’s estate was also the subject of a legal challenge between Janice Spencer who produced a will in which Whiteley had bequeathed his estate to her, and Arkie, who claimed her father had left a later hand-written will in which she was named an heiress. The surface of an artwork can disclose many techniques and approaches to the application of media.
Whiteley often employed particular framing devices throughout different aspects and focal points within his practice. What details has Whiteley represented within this work that invites the viewer to unpack possible meanings?Can you identify other artists who employ this approach?We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture.Update from the Gallery regarding COVID-19The Art Gallery of New South Wales is open.